Brave New World of AI-filmmaking

The new world of AI-filmmaking, and different futures that lie ahead is my new feature in the journal Representology. It explores the following:

➡️ 1. An insight into a new discipline in the making which should be taken up by global majority.
➡️ 2. How the signs indicate a platform, similar to YouTube’s emergence as a business in 2005.
➡️ 3. How a new breed of filmmakers are building their own story futures by training Gen AI with data you’ll unlikely find in Chat GPT
➡️ 4. Profiling some of the new architects of AI-storytelling, such as Michele D’Acosta, Malik Afegbua and Beth Senior.
➡️ 5. How Gen AI can be used to create archive to unearth historical stories.
➡️ 6. How AI-storytelling can be used for social campaigns, with high impact for solo and small agencies.
➡️ 7. How DeepSeek’s open source is good news in disrupting the hold of major AI companies, but also opens the potential for new entrants -who’ll require training data that could involve your creative work.
➡️ 8.How GenAI yields a double bias. One existing in society and then made worse by its unrepresentative sample, and how this could lead to model collapse — where AI feeds you its answers as the truth.
➡️ 9. An academic reviewer of the piece, who is a consultant for the BBC in data science, praised the article for bringing to light several important issues.
➡️ 10. To find out more about AI-storytelling after reading the piece click on my platform www.viewmagazine.tv

You can access the article here in our journal R https://lnkd.in/eNHk95UX pg 66 onwards, but my guess you’ll enjoy the range of diverse pieces you’ll come across before hitting AI.